I am a huge fan of Leonard Cohen. I came upon his work when I was 20, unhappy in college. The first time I heard him, the first song I heard (The Future), I was hooked - it was like dark spicy chocolate and a single malt. His voice still makes my insides quiver and his music is at times heart-wrenching, at times energizing, and at all times, profound.
Most people I know don't know much about him beyond that he was the original genius behind "Hallelujah", which was later immortalized by Jeff Buckley and kd lang. I personally prefer Cohen's version(s). There is more pathos to it, and much more intensity. And of course, Leonard Cohen's incredible,lump-in-throat-inducing voice. Listen to him sing, "Love is not a victory march, it's a cold and it's a broken Hallelujah", and if you don't have to swallow the lump, there is no hope for you. The idea that a word with a definite religious connotation can be so much more that just that, that it is something that resonates with the soul in the most human of moments, is pure beauty.
There is so much more to Leonard Cohen than Hallelujah. The man makes me want to cry more than should be legal - Hallelujah is one of the most upbeat of his songs I have listened to, in tone, if not tempo. The sheer anger of "First We Take Manhattan", the incredible horror and beauty behind "Dance Me To The End Of Love" (Madeleine Peyroux has a wonderful cover), the snark and criticism of "Democracy", the humour in "Everybody Knows", the darkness of "the Future", indeed, the darkness inherent in all of his songs - he makes the unattractive and sad seem beautiful.
Some of Cohen's poetry leaves a lot to be desired - the rhythm and rhyme often seem contrived and there is an inherent sense of gratification to the ones about sex, almost collegiate in many ways, like we should be standing around a keg. But I have not read anything that tugged at the heartstrings as much as "Waiting for Marianne".
Waiting for Marianne from "Flowers for Hitler"
I have lost a telephone
with your smell in it
I am living beside the radio
all the stations at once
but I pick out a Polish lullaby
I pick it out of the static
it fades I wait I keep the beat
it comes back almost asleep
Did you take the telephone
knowing I'd sniff it immoderately
maybe heat up the plastic
to get all the crumbs of your breath
and if you won't come back
how will you phone to say
you won't come back
so that I could at least argue